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Riff Tone
Loud and Clear
Title Fight
Guitarpunk2010s+
Original Gear
GuitarGibson Les Paul Custom
AmpMarshall JCM800 2203 (100w head) into Orange or Marshall 4x12 with Celestion Vintage 30 speakers
Amp Settings
gain7
bass5
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Notes
Studio recording, 2011 (Shed era). Jamie Rhoden is confirmed to use a Les Paul Custom into a JCM800 with Orange/Marshall cabs for the main riff/distorted sections. No pedals or extra effects used for the core riff tone; direct guitar-to-amp setup. Settings are for studio, not live.
Tone Character(10)
tight and punchymid-forwardBritish cruncharticulate attackslight breakupdry and directclear note separationpercussive rhythmnot overly saturatedenergetic, layered guitars
Difficulty
The riff requires tight, fast alternate picking and palm muting for clarity and energy, with precise chord changes and rhythmic accuracy, but does not involve advanced lead techniques or complex chords.
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Create Free AccountGuitarpunk2010s+
Original Gear
GuitarGibson Les Paul Custom
AmpMarshall JCM800 2203 (100w head) into Orange or Marshall 4x12 with Celestion Vintage 30 speakers
Amp Settings
gain7
bass5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2011 (Shed era). Jamie Rhoden is confirmed to use a Les Paul Custom into a JCM800 with Orange/Marshall cabs for the main riff/distorted sections. No pedals or extra effects used for the core riff tone; direct guitar-to-amp setup. Settings are for studio, not live.
Tone Character(10)
tight and punchymid-forwardBritish cruncharticulate attackslight breakupdry and directclear note separationpercussive rhythmnot overly saturatedenergetic, layered guitars
Difficulty
The riff requires tight, fast alternate picking and palm muting for clarity and energy, with precise chord changes and rhythmic accuracy, but does not involve advanced lead techniques or complex chords.