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Riff Tone

Mary Had a Little Lamb

Stevie Ray Vaughan & Double Trouble

Guitarblues1980s

Original Gear

Guitar1963 Fender Stratocaster
Amp1964 Fender Vibroverb (Blackface, 1x15" speaker, non-reverb model)

Amp Settings

gain4
bass7

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Effects & Signal Chain

Notes

Studio recording for the album 'Texas Flood' (1983). All sources agree SRV used his main 'Number One' Stratocaster and a Fender Vibroverb for the riff section. No evidence of chorus, delay, or modulation effects on the riff section; Dimension D chorus was only used on the solo. Overdrive from Ibanez Tube Screamer(s) is likely, but no evidence of other pedals for the riff. Settings estimated based on era, genre, and typical SRV studio setup.

Tone Character(10)
warm and smoothtouch-sensitiveTexas shuffle feeledge-of-breakup crunchdynamic and percussivefat single-coil clarityslightly compressed attackarticulate note separationmildly scooped midsclassic blues Strat sound

Difficulty

The riff demands advanced blues rhythm technique, including fast shuffle picking, ghost notes, and dynamic muting, making it challenging for most players.

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