Back to CommunityCreate Free Account
Solo Tone
Mary Had a Little Lamb
Stevie Ray Vaughan & Double Trouble
Guitarblues1980s
Original Gear
Guitar1962 Fender Stratocaster 'Number One'
AmpMid-1960s Fender Super Reverb (blackface, loaded with Electro-Voice speakers)
Amp Settings
gain4
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1982-1983 for the album 'Texas Flood'. Solo section features Roland SDD-320 Dimension D chorus added during mixing. Ibanez TS808 Tube Screamer used as solo boost. No evidence of wah or other pedals in this solo. All effects confirmed for studio recording, not live.
Tone Character(10)
touch-sensitive and dynamicedge-of-breakup crunchwarm and round neck pickup soundsinging sustain on single notesslight chorus shimmer (Dimension D)clear note separationTexas blues lead characterslightly compressed but openthickened by subtle chorus effectresponsive to picking attack
Difficulty
The solo requires advanced blues phrasing, fast shuffle timing, expressive bends, and dynamic control, making it challenging for most intermediate players.
Create an account to adapt this tone to your gear
Create Free AccountGuitarblues1980s
Original Gear
Guitar1962 Fender Stratocaster 'Number One'
AmpMid-1960s Fender Super Reverb (blackface, loaded with Electro-Voice speakers)
Amp Settings
gain4
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1982-1983 for the album 'Texas Flood'. Solo section features Roland SDD-320 Dimension D chorus added during mixing. Ibanez TS808 Tube Screamer used as solo boost. No evidence of wah or other pedals in this solo. All effects confirmed for studio recording, not live.
Tone Character(10)
touch-sensitive and dynamicedge-of-breakup crunchwarm and round neck pickup soundsinging sustain on single notesslight chorus shimmer (Dimension D)clear note separationTexas blues lead characterslightly compressed but openthickened by subtle chorus effectresponsive to picking attack
Difficulty
The solo requires advanced blues phrasing, fast shuffle timing, expressive bends, and dynamic control, making it challenging for most intermediate players.