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Solo Tone
Mayonaka No Door ~Stay with Me
Miki Matsubara
Guitarother1970s
Original Gear
GuitarYamaha SG-2000 (likely, based on era/session player usage in late 1970s/early 1980s Japanese pop studio recordings)
AmpRoland JC-120 Jazz Chorus (likely, based on era, genre, and common use in Japanese city pop studio sessions)
Amp Settings
gain0
bass6
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Notes
Studio recording, 1979. No direct evidence for exact guitar/amp, but Yamaha SG-2000 and Roland JC-120 were standard for Japanese session players in this genre/era. No live rig info found.
Tone Character(10)
clean and glassywarm and smoothbright and articulatesubtle chorus shimmerstudio-polished claritysustained single notesdynamic and touch-sensitiveno audible distortionslightly compressed attacklush, ambient reverb tail
Difficulty
The solo requires intermediate technique due to its jazz-influenced chord shapes, clean phrasing, and dynamic control, but does not involve advanced speed or complex effects switching.
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Create Free AccountGuitarother1970s
Original Gear
GuitarYamaha SG-2000 (likely, based on era/session player usage in late 1970s/early 1980s Japanese pop studio recordings)
AmpRoland JC-120 Jazz Chorus (likely, based on era, genre, and common use in Japanese city pop studio sessions)
Amp Settings
gain0
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1979. No direct evidence for exact guitar/amp, but Yamaha SG-2000 and Roland JC-120 were standard for Japanese session players in this genre/era. No live rig info found.
Tone Character(10)
clean and glassywarm and smoothbright and articulatesubtle chorus shimmerstudio-polished claritysustained single notesdynamic and touch-sensitiveno audible distortionslightly compressed attacklush, ambient reverb tail
Difficulty
The solo requires intermediate technique due to its jazz-influenced chord shapes, clean phrasing, and dynamic control, but does not involve advanced speed or complex effects switching.