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Solo Tone
Meeting of the Spirits (with John McLaughlin)
Mahavishnu Orchestra
Guitarjazz1970s
Original Gear
GuitarGibson EDS-1275 Double Neck (used as 6-string electric for solo)
AmpMarshall 100-watt Super Lead head (plexi, late 60s/early 70s) into Marshall 4x12 cabinet
Amp Settings
gain7
bass6.5
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Notes
Studio recording, 1971 (The Inner Mounting Flame). No pedals or rack effects; distortion from amp at extreme volume. Solo section uses the 6-string neck. No evidence of effects loop or outboard effects. All tone from guitar and amp.
Tone Character(10)
explosive dynamic rangeaggressive, saturated amp distortionrich harmonic overtonesmidrange-forward 'honk'singing sustainraw, uncompressed attacktight, articulate picking responseslightly compressed by amp saturationpercussive and bitingcomplex, swirling overtones
Difficulty
The solo requires expert-level picking speed, accuracy, and control, with demanding phrasing and technical complexity at high volume and gain.
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Create Free AccountGuitarjazz1970s
Original Gear
GuitarGibson EDS-1275 Double Neck (used as 6-string electric for solo)
AmpMarshall 100-watt Super Lead head (plexi, late 60s/early 70s) into Marshall 4x12 cabinet
Amp Settings
gain7
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1971 (The Inner Mounting Flame). No pedals or rack effects; distortion from amp at extreme volume. Solo section uses the 6-string neck. No evidence of effects loop or outboard effects. All tone from guitar and amp.
Tone Character(10)
explosive dynamic rangeaggressive, saturated amp distortionrich harmonic overtonesmidrange-forward 'honk'singing sustainraw, uncompressed attacktight, articulate picking responseslightly compressed by amp saturationpercussive and bitingcomplex, swirling overtones
Difficulty
The solo requires expert-level picking speed, accuracy, and control, with demanding phrasing and technical complexity at high volume and gain.