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Solo Tone
Miss Judy's Farm
Faces
Guitarrock1970s
Original Gear
GuitarGibson Les Paul Standard (Ron Wood's main guitar, early 1970s)
AmpMarshall Plexi Super Lead 1959 (100W, likely with 4x12 cabinet, typical for Faces studio recordings of this era)
Amp Settings
gain6
bass6
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Notes
Studio recording, 1971. No evidence of pedals or effects other than amp overdrive and possible light spring reverb. Gear inferred from era, genre, and Ron Wood's known studio setup for Faces' 'A Nod Is As Good As a Wink... to a Blind Horse'.
Tone Character(10)
classic British crunchopen and bitingwarm midrangesustained but not saturateddynamic and touch-sensitivearticulate single-note claritypunchy attackslight breakupvintage rock solo charactersinging sustain
Difficulty
The solo requires intermediate to advanced classic rock lead technique, including fast pentatonic licks, expressive bends, and dynamic control, but does not involve extreme speed or complex modern techniques.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson Les Paul Standard (Ron Wood's main guitar, early 1970s)
AmpMarshall Plexi Super Lead 1959 (100W, likely with 4x12 cabinet, typical for Faces studio recordings of this era)
Amp Settings
gain6
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1971. No evidence of pedals or effects other than amp overdrive and possible light spring reverb. Gear inferred from era, genre, and Ron Wood's known studio setup for Faces' 'A Nod Is As Good As a Wink... to a Blind Horse'.
Tone Character(10)
classic British crunchopen and bitingwarm midrangesustained but not saturateddynamic and touch-sensitivearticulate single-note claritypunchy attackslight breakupvintage rock solo charactersinging sustain
Difficulty
The solo requires intermediate to advanced classic rock lead technique, including fast pentatonic licks, expressive bends, and dynamic control, but does not involve extreme speed or complex modern techniques.