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Riff Tone
Mr. Big
Gov't Mule
Guitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1958/1959 reissue, Warren Haynes signature or similar, as per era and artist's known main guitar for Gov't Mule studio work)
AmpSoldano SLO-100 (modded for more low-mid response) into Marshall 4x12 cab with Celestion speakers
Amp Settings
gain6
bass6.5
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Notes
Studio recording, 1995 (debut album era). Warren Haynes is documented using the Soldano SLO-100 and Les Paul for core Gov't Mule riff tones. No evidence of alternate guitars or amps for this song's riff section. Settings are estimated based on typical Haynes/Mule studio setup and genre/era.
Tone Character(9)
thick and harmonically richclassic British-style crunchtight, punchy low endopen, singing sustaintouch-sensitive dynamic responseslightly compressed but not saturatedclear note separationorganic, amp-driven overdrivewarm but articulate attack
Difficulty
The riff requires tight rhythmic precision, dynamic control, and a strong sense of groove, with some string skipping and muting techniques that are challenging at tempo but not virtuosic.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarGibson Les Paul Standard (likely 1958/1959 reissue, Warren Haynes signature or similar, as per era and artist's known main guitar for Gov't Mule studio work)
AmpSoldano SLO-100 (modded for more low-mid response) into Marshall 4x12 cab with Celestion speakers
Amp Settings
gain6
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1995 (debut album era). Warren Haynes is documented using the Soldano SLO-100 and Les Paul for core Gov't Mule riff tones. No evidence of alternate guitars or amps for this song's riff section. Settings are estimated based on typical Haynes/Mule studio setup and genre/era.
Tone Character(9)
thick and harmonically richclassic British-style crunchtight, punchy low endopen, singing sustaintouch-sensitive dynamic responseslightly compressed but not saturatedclear note separationorganic, amp-driven overdrivewarm but articulate attack
Difficulty
The riff requires tight rhythmic precision, dynamic control, and a strong sense of groove, with some string skipping and muting techniques that are challenging at tempo but not virtuosic.