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Riff Tone
Nadie Es Perfecto
Patricio Rey y sus Redonditos de Ricota
Guitarrock1980s
Original Gear
GuitarGibson SG Standard (late 1960s/early 1970s, likely 1968 or 1970 model)
AmpMarshall 1959SLP Plexi Super Lead Reissue (or original 1959 Plexi, 100W head) into Marshall 4x12 cabinet with Celestion V30 speakers
Amp Settings
gain5.5
bass6
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Notes
Studio recording, 1989. Gear inferred from Equipboard and ToneMirror, both referencing Skay Beilinson's main studio setup for this era. No evidence of alternate guitars or amps for this track. No evidence of live-specific gear for this recording.
Tone Character(10)
British crunch with midrange focustight and punchy rhythmwarm, vintage humbucker soundarticulate chord definitionslight breakup on hard strumsdynamic and responsive to pickingfull-bodied riff toneminimal ambienceno audible modulation or delayclassic Marshall Plexi character
Difficulty
The riff requires solid timing and dynamic control for the crunchy, percussive rhythm, but does not involve advanced techniques or fast passages.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarGibson SG Standard (late 1960s/early 1970s, likely 1968 or 1970 model)
AmpMarshall 1959SLP Plexi Super Lead Reissue (or original 1959 Plexi, 100W head) into Marshall 4x12 cabinet with Celestion V30 speakers
Amp Settings
gain5.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1989. Gear inferred from Equipboard and ToneMirror, both referencing Skay Beilinson's main studio setup for this era. No evidence of alternate guitars or amps for this track. No evidence of live-specific gear for this recording.
Tone Character(10)
British crunch with midrange focustight and punchy rhythmwarm, vintage humbucker soundarticulate chord definitionslight breakup on hard strumsdynamic and responsive to pickingfull-bodied riff toneminimal ambienceno audible modulation or delayclassic Marshall Plexi character
Difficulty
The riff requires solid timing and dynamic control for the crunchy, percussive rhythm, but does not involve advanced techniques or fast passages.