Riff Tone
New Noise
Refused
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Notes
Studio recording for 'The Shape of Punk to Come' (1997-1998). Main distorted riff tones were achieved by blending a heavily modded Marshall JCM800 and a Diezel VH4. Guitarist Kristofer Steen used a Gibson ES-335. Effects were minimal; distortion primarily from amp and possibly a Boss BD-2 or Mad Professor Royal Blue Overdrive for boost. No evidence of time-based or modulation effects on the riff section.
Tone Character(10)
Difficulty
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Notes
Studio recording for 'The Shape of Punk to Come' (1997-1998). Main distorted riff tones were achieved by blending a heavily modded Marshall JCM800 and a Diezel VH4. Guitarist Kristofer Steen used a Gibson ES-335. Effects were minimal; distortion primarily from amp and possibly a Boss BD-2 or Mad Professor Royal Blue Overdrive for boost. No evidence of time-based or modulation effects on the riff section.