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Riff Tone
New Orleans Is the New Vietnam
Eyehategod
Guitarmetal2010s+
Original Gear
GuitarGibson SG Standard (likely early 1970s, as used by Jimmy Bower on Eyehategod recordings)
AmpMarshall JCM800 2203 (most commonly associated with Eyehategod studio recordings in the 2010s)
Amp Settings
gain9
bass7.5
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Notes
Studio recording, 2012 (song released in 2012). No direct evidence for alternate guitars or amps on this specific track. Gear inferred from band’s known studio setup for this era.
Tone Character(10)
crushingly heavythick, sludgy distortionraw and aggressiveloose, fuzzy low endmid-heavy, gritty attackunpolished, noisy texturesaturated, compressed sustainpercussive, palm-muted chugsminimal clarity, maximum filthsludge/doom metal riffing
Difficulty
The riff is rhythmically straightforward but requires aggressive picking, tight palm muting, and control of feedback/noise due to high-gain settings.
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarGibson SG Standard (likely early 1970s, as used by Jimmy Bower on Eyehategod recordings)
AmpMarshall JCM800 2203 (most commonly associated with Eyehategod studio recordings in the 2010s)
Amp Settings
gain9
bass7.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2012 (song released in 2012). No direct evidence for alternate guitars or amps on this specific track. Gear inferred from band’s known studio setup for this era.
Tone Character(10)
crushingly heavythick, sludgy distortionraw and aggressiveloose, fuzzy low endmid-heavy, gritty attackunpolished, noisy texturesaturated, compressed sustainpercussive, palm-muted chugsminimal clarity, maximum filthsludge/doom metal riffing
Difficulty
The riff is rhythmically straightforward but requires aggressive picking, tight palm muting, and control of feedback/noise due to high-gain settings.