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Riff Tone
No Hay Lugar Más Alto (En Vivo) [feat. Christine D'clario]
Miel San Marcos
Guitarother2010s+
Original Gear
GuitarFender Stratocaster (exact model unknown, likely modern Mexican or American Standard based on genre/era and live P&W context)
AmpFender Hot Rod Deluxe (model not confirmed, but highly probable for P&W live/studio context in 2010s+; no evidence for Marshall or Vox in this context)
Amp Settings
gain2.5
bass6
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Notes
Settings and gear inferred from typical P&W live/studio rigs and genre conventions; no direct evidence for exact models for this specific recording. Recording is live (En Vivo), released 2014.
Tone Character(10)
bright and articulatelush and ambientclear note separationwarm but present highssoft attack with muted picking in introspacious with pronounced delay repeatsclean and glassyslightly scooped midsreverb-heavydynamic response to picking
Difficulty
The riff requires accurate timing to sync with the dotted eighth delay, muted picking for the intro, and clean articulation, but does not involve complex chords or fast passages.
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Create Free AccountGuitarother2010s+
Original Gear
GuitarFender Stratocaster (exact model unknown, likely modern Mexican or American Standard based on genre/era and live P&W context)
AmpFender Hot Rod Deluxe (model not confirmed, but highly probable for P&W live/studio context in 2010s+; no evidence for Marshall or Vox in this context)
Amp Settings
gain2.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Settings and gear inferred from typical P&W live/studio rigs and genre conventions; no direct evidence for exact models for this specific recording. Recording is live (En Vivo), released 2014.
Tone Character(10)
bright and articulatelush and ambientclear note separationwarm but present highssoft attack with muted picking in introspacious with pronounced delay repeatsclean and glassyslightly scooped midsreverb-heavydynamic response to picking
Difficulty
The riff requires accurate timing to sync with the dotted eighth delay, muted picking for the intro, and clean articulation, but does not involve complex chords or fast passages.