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Solo Tone
Nothin' But a Good Time
Poison
Guitarrock1980s
Original Gear
GuitarKramer Baretta (likely 1987-88, single humbucker, Floyd Rose, maple neck)
AmpMarshall JCM800 2203 (100W head, 4x12 cab, likely with Celestion speakers)
Amp Settings
gain7.5
bass6
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Notes
Studio recording, 1988. Gear inferred from era, interviews, and period photos. No direct source confirms exact pedal models for this solo, but Kramer/Marshall/JB is widely documented for C.C. DeVille in this period.
Tone Character(10)
singing sustainbright and cuttingtight palm-muted chugsharmonic squealsshreddy and articulatecompressed and saturatedglossy 80s hair metalcrisp upper midsfast legato runspronounced pick attack
Difficulty
The solo demands fast picking, legato, and whammy bar technique at a brisk tempo, with advanced phrasing and articulation typical of 80s hair metal lead work.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarKramer Baretta (likely 1987-88, single humbucker, Floyd Rose, maple neck)
AmpMarshall JCM800 2203 (100W head, 4x12 cab, likely with Celestion speakers)
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1988. Gear inferred from era, interviews, and period photos. No direct source confirms exact pedal models for this solo, but Kramer/Marshall/JB is widely documented for C.C. DeVille in this period.
Tone Character(10)
singing sustainbright and cuttingtight palm-muted chugsharmonic squealsshreddy and articulatecompressed and saturatedglossy 80s hair metalcrisp upper midsfast legato runspronounced pick attack
Difficulty
The solo demands fast picking, legato, and whammy bar technique at a brisk tempo, with advanced phrasing and articulation typical of 80s hair metal lead work.