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Riff Tone
Od
Şebnem Ferah
Guitarrock2000s
Original Gear
GuitarUnknown (likely superstrat-style, possibly Ibanez or similar, humbucker in bridge position)
AmpUnknown high-gain amp (likely Marshall JCM800/900 or Mesa/Boogie Dual Rectifier, based on Turkish rock/alternative of late 1990s-2000s)
Amp Settings
gain7.5
bass6
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Notes
Studio recording, released 2005. No direct evidence for exact guitar/amp model for 'Od' riff section. No pedalboard or session photos found. All gear is inferred from genre, era, and artist's typical choices for heavy rhythm sections.
Tone Character(10)
tight and saturatedaggressive palm mutingpunchy low endslightly scooped midsarticulate attackmodern high-gain crunchclear note separationfocused and percussiveminimal ambienceno audible modulation
Difficulty
The riff requires intermediate skill due to its tight, aggressive palm muting, rhythmic precision, and control of high-gain clarity, but does not involve advanced lead techniques or complex chord voicings.
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Create Free AccountGuitarrock2000s
Original Gear
GuitarUnknown (likely superstrat-style, possibly Ibanez or similar, humbucker in bridge position)
AmpUnknown high-gain amp (likely Marshall JCM800/900 or Mesa/Boogie Dual Rectifier, based on Turkish rock/alternative of late 1990s-2000s)
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, released 2005. No direct evidence for exact guitar/amp model for 'Od' riff section. No pedalboard or session photos found. All gear is inferred from genre, era, and artist's typical choices for heavy rhythm sections.
Tone Character(10)
tight and saturatedaggressive palm mutingpunchy low endslightly scooped midsarticulate attackmodern high-gain crunchclear note separationfocused and percussiveminimal ambienceno audible modulation
Difficulty
The riff requires intermediate skill due to its tight, aggressive palm muting, rhythmic precision, and control of high-gain clarity, but does not involve advanced lead techniques or complex chord voicings.