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Riff Tone
Oh Come All Ye Faithful
Twisted Sister
Guitarmetal2000s
Original Gear
GuitarGibson Les Paul Standard (likely 1980s, Dee Snider/Jay Jay French era)
AmpMarshall JCM800 2203 (most likely, based on era and band interviews)
Amp Settings
gain7.5
bass6
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Notes
Studio recording, 2006 album 'A Twisted Christmas'. No direct source for exact gear on this track, but Twisted Sister's 1980s/2000s heavy rhythm tones are consistently reported as Les Paul into Marshall JCM800. No evidence of live-specific gear for the studio version.
Tone Character(10)
tight and percussiveaggressive palm mutingsaturated high-gainmid-forward cruncharticulate pick attackfull-bodied power chordsslightly scooped midsclassic Marshall biteminimal ambienceno audible modulation
Difficulty
The riff requires solid palm muting and power chord technique at a moderate tempo, but does not involve advanced lead work or complex timing.
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarGibson Les Paul Standard (likely 1980s, Dee Snider/Jay Jay French era)
AmpMarshall JCM800 2203 (most likely, based on era and band interviews)
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2006 album 'A Twisted Christmas'. No direct source for exact gear on this track, but Twisted Sister's 1980s/2000s heavy rhythm tones are consistently reported as Les Paul into Marshall JCM800. No evidence of live-specific gear for the studio version.
Tone Character(10)
tight and percussiveaggressive palm mutingsaturated high-gainmid-forward cruncharticulate pick attackfull-bodied power chordsslightly scooped midsclassic Marshall biteminimal ambienceno audible modulation
Difficulty
The riff requires solid palm muting and power chord technique at a moderate tempo, but does not involve advanced lead work or complex timing.