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Distorted Tone
Opiate
TOOL
BassAlternative metal / progressive metal1990s
Original Gear
BassRickenbacker 4001 Chris Squire model (Paul D'Amour era)
AmpUnknown
Amp Settings
gain6.5
bass5.5
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Notes
On early recordings including Opiate, bassist Paul D'Amour used a Rickenbacker 4001 Chris Squire model and Music Man StingRay, laying the tonal groundwork for the band’s sound. Specific gear for that track is not well documented.
Tone Character(3)
Punchy low-endDistinct mid‑range presenceClear, cutting tone
Difficulty
The bass part in 'Opiate' is rhythmically driving with moderate fills and syncopation, requiring solid technique but not advanced techniques like slap or tapping.
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Create Free AccountBassAlternative metal / progressive metal1990s
Original Gear
BassRickenbacker 4001 Chris Squire model (Paul D'Amour era)
AmpUnknown
Amp Settings
gain6.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
On early recordings including Opiate, bassist Paul D'Amour used a Rickenbacker 4001 Chris Squire model and Music Man StingRay, laying the tonal groundwork for the band’s sound. Specific gear for that track is not well documented.
Tone Character(3)
Punchy low-endDistinct mid‑range presenceClear, cutting tone
Difficulty
The bass part in 'Opiate' is rhythmically driving with moderate fills and syncopation, requiring solid technique but not advanced techniques like slap or tapping.