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Riff Tone
Overkill
Motörhead
Guitarmetal1970s
Original Gear
Guitar1970s Gibson Les Paul Standard
AmpMarshall Super Lead 1959 100W head into Marshall 4x12 cabinet (Celestion G12 speakers, likely Greenbacks)
Amp Settings
gain7.5
bass5.5
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Notes
Studio recording, 1979. Guitarist: 'Fast' Eddie Clarke. No evidence of pedals or effects used on the riff section; classic Marshall stack setup. All info inferred from era, band history, and lack of pedal mentions in sources.
Tone Character(10)
biting upper-mid attackraw and saturatedtight and percussiveaggressive pick attackminimal low-end thumpno audible reverb or delayclassic Marshall stack grindfast, palm-muted chuggingbright and cuttingdense wall-of-sound rhythm
Difficulty
The riff requires fast, tight alternate picking and palm muting at high speed, with precise rhythm and aggressive attack, making it moderately challenging for intermediate players.
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Create Free AccountGuitarmetal1970s
Original Gear
Guitar1970s Gibson Les Paul Standard
AmpMarshall Super Lead 1959 100W head into Marshall 4x12 cabinet (Celestion G12 speakers, likely Greenbacks)
Amp Settings
gain7.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1979. Guitarist: 'Fast' Eddie Clarke. No evidence of pedals or effects used on the riff section; classic Marshall stack setup. All info inferred from era, band history, and lack of pedal mentions in sources.
Tone Character(10)
biting upper-mid attackraw and saturatedtight and percussiveaggressive pick attackminimal low-end thumpno audible reverb or delayclassic Marshall stack grindfast, palm-muted chuggingbright and cuttingdense wall-of-sound rhythm
Difficulty
The riff requires fast, tight alternate picking and palm muting at high speed, with precise rhythm and aggressive attack, making it moderately challenging for intermediate players.