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Riff Tone
Oye Como Va
Santana
Guitarrock1970s
Original Gear
GuitarGibson SG Special (early 1970s, likely 1968-1970, stock P-90s)
AmpMesa/Boogie Mark I (prototype, early production, snakeskin-covered, 100-watt head)
Amp Settings
gain6
bass6.5
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Notes
Studio recording, Abraxas album (1970). Santana used his Gibson SG Special with P-90s into a Mesa/Boogie Mark I prototype. No evidence of PRS or Dumble on this specific recording. Minimal pedal use; most tone from amp and guitar. Wah pedal not used in riff section.
Tone Character(10)
warm, midrange-focusedsmooth and sustainingslightly compressedfat, round notesvocal-like phrasingtouch-sensitiveclear note separationnot overly brightslightly gritty edgesinging sustain
Difficulty
The riff requires solid rhythmic feel and articulation, but is not technically demanding in terms of speed or advanced techniques. The main challenge is capturing the groove and expressive phrasing.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson SG Special (early 1970s, likely 1968-1970, stock P-90s)
AmpMesa/Boogie Mark I (prototype, early production, snakeskin-covered, 100-watt head)
Amp Settings
gain6
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, Abraxas album (1970). Santana used his Gibson SG Special with P-90s into a Mesa/Boogie Mark I prototype. No evidence of PRS or Dumble on this specific recording. Minimal pedal use; most tone from amp and guitar. Wah pedal not used in riff section.
Tone Character(10)
warm, midrange-focusedsmooth and sustainingslightly compressedfat, round notesvocal-like phrasingtouch-sensitiveclear note separationnot overly brightslightly gritty edgesinging sustain
Difficulty
The riff requires solid rhythmic feel and articulation, but is not technically demanding in terms of speed or advanced techniques. The main challenge is capturing the groove and expressive phrasing.