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Solo Tone
Oye Mi Amor (2019 Remasterizado)
Maná
Guitarrock2010s+
Original Gear
GuitarGibson ES-335
AmpMarshall JCM800 (studio recording, typical for Maná's distorted tones in this era; no direct citation for this exact session, but consistent with band/era/genre and gear seen in period photos and videos)
Amp Settings
gain6.5
bass6
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Notes
Studio recording, 2019 remaster of original early 1990s session. Guitarist Sergio Vallín is known for using a Gibson ES-335 for solos in this era. No direct studio documentation found for this specific solo, but ES-335 and Marshall stack are strongly evidenced by live footage and genre conventions.
Tone Character(10)
singing sustainsmooth, vocal-like phrasingrich midrangeslightly compressed attackclear note separationmoderate gain with claritywarm, rounded highsdynamic response to pickingclassic rock solo charactertouch of amp breakup
Difficulty
The solo requires intermediate to advanced phrasing, fast melodic lines, and expressive bending/vibrato, but does not involve extreme technical shredding or complex timing.
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Create Free AccountGuitarrock2010s+
Original Gear
GuitarGibson ES-335
AmpMarshall JCM800 (studio recording, typical for Maná's distorted tones in this era; no direct citation for this exact session, but consistent with band/era/genre and gear seen in period photos and videos)
Amp Settings
gain6.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2019 remaster of original early 1990s session. Guitarist Sergio Vallín is known for using a Gibson ES-335 for solos in this era. No direct studio documentation found for this specific solo, but ES-335 and Marshall stack are strongly evidenced by live footage and genre conventions.
Tone Character(10)
singing sustainsmooth, vocal-like phrasingrich midrangeslightly compressed attackclear note separationmoderate gain with claritywarm, rounded highsdynamic response to pickingclassic rock solo charactertouch of amp breakup
Difficulty
The solo requires intermediate to advanced phrasing, fast melodic lines, and expressive bending/vibrato, but does not involve extreme technical shredding or complex timing.