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Solo Tone
Paris, Texas
Ry Cooder
Guitarblues1980s
Original Gear
Guitar1950s Martin 00-18 acoustic guitar
AmpNone (recorded direct with microphone, no amp used)
Amp Settings
gain1.5
bass6
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Notes
Studio recording, 1984. Ry Cooder played the solo on a 1950s Martin 00-18 acoustic, recorded with a microphone. No electric guitar or amp was used for the solo section. No evidence of pedals or amp effects on the original recording.
Tone Character(10)
haunting and atmosphericwarm and woodyresonant and openintimate and dryexpressive slide vibratonatural acoustic sustainclear note separationsoft attackminimal overtonesno artificial coloration
Difficulty
The solo requires intermediate to advanced slide guitar technique, including precise intonation, vibrato, and dynamic control on an acoustic in open tuning. The phrasing and expressiveness demand a nuanced touch, but there are no fast runs or complex chord changes.
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Create Free AccountGuitarblues1980s
Original Gear
Guitar1950s Martin 00-18 acoustic guitar
AmpNone (recorded direct with microphone, no amp used)
Amp Settings
gain1.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1984. Ry Cooder played the solo on a 1950s Martin 00-18 acoustic, recorded with a microphone. No electric guitar or amp was used for the solo section. No evidence of pedals or amp effects on the original recording.
Tone Character(10)
haunting and atmosphericwarm and woodyresonant and openintimate and dryexpressive slide vibratonatural acoustic sustainclear note separationsoft attackminimal overtonesno artificial coloration
Difficulty
The solo requires intermediate to advanced slide guitar technique, including precise intonation, vibrato, and dynamic control on an acoustic in open tuning. The phrasing and expressiveness demand a nuanced touch, but there are no fast runs or complex chord changes.