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Riff Tone
Pawn Shop
Sublime
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1970s or 1980s, sunburst, rosewood fretboard, as seen in studio photos from the era)
AmpFender Twin Reverb (Silverface, late 1960s/1970s, likely with JBL speakers as per producer Paul Leary's studio notes for Sublime's self-titled album sessions)
Amp Settings
gain4
bass6
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Notes
Studio recording, 1996. No evidence of pedal use for the riff section; amp likely set for edge-of-breakup. Guitar and amp confirmed for this era and album by producer interviews and period photos. No evidence of live/touring substitutions for the studio recording.
Tone Character(10)
bright and articulatepercussive skank rhythmedge-of-breakup crunchwarm but present midstight low endclear note separationdynamic response to pickingslightly compressed attackminimal sustainfunky, reggae-influenced
Difficulty
The riff requires tight, syncopated upstroke rhythm and clean muting typical of ska/reggae, but does not involve complex chord shapes or fast lead lines.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1970s or 1980s, sunburst, rosewood fretboard, as seen in studio photos from the era)
AmpFender Twin Reverb (Silverface, late 1960s/1970s, likely with JBL speakers as per producer Paul Leary's studio notes for Sublime's self-titled album sessions)
Amp Settings
gain4
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1996. No evidence of pedal use for the riff section; amp likely set for edge-of-breakup. Guitar and amp confirmed for this era and album by producer interviews and period photos. No evidence of live/touring substitutions for the studio recording.
Tone Character(10)
bright and articulatepercussive skank rhythmedge-of-breakup crunchwarm but present midstight low endclear note separationdynamic response to pickingslightly compressed attackminimal sustainfunky, reggae-influenced
Difficulty
The riff requires tight, syncopated upstroke rhythm and clean muting typical of ska/reggae, but does not involve complex chord shapes or fast lead lines.