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Riff Tone
Pity The Sadness (Live)
Paradise Lost
Guitarmetal1990s
Original Gear
GuitarGibson ES-335 (Gregor Mackintosh, live era) or Haigh Custom Guitar (possible, but ES-335 most documented for live use in this era)
AmpMarshall JCM800 2203 (primary live amp for riff sections, 1992-1995 era)
Amp Settings
gain7.5
bass6
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Notes
Live performance, early-to-mid 1990s (Draconian Times/Shades of God era). Gear confirmed for live heavy sections by Equipboard and interviews. No evidence of alternate amp or guitar for riff section in live context.
Tone Character(10)
thick and saturatedtight and percussiveaggressive palm mutingmid-forward crunchdark, heavy low endarticulate attackslight vintage edgeminimal ambiencehigh-output humbucker punchdense, wall-of-sound rhythm
Difficulty
The riff requires intermediate-level rhythm skills, including tight palm muting, fast chord transitions, and maintaining a heavy, consistent attack throughout the section.
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Create Free AccountGuitarmetal1990s
Original Gear
GuitarGibson ES-335 (Gregor Mackintosh, live era) or Haigh Custom Guitar (possible, but ES-335 most documented for live use in this era)
AmpMarshall JCM800 2203 (primary live amp for riff sections, 1992-1995 era)
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Live performance, early-to-mid 1990s (Draconian Times/Shades of God era). Gear confirmed for live heavy sections by Equipboard and interviews. No evidence of alternate amp or guitar for riff section in live context.
Tone Character(10)
thick and saturatedtight and percussiveaggressive palm mutingmid-forward crunchdark, heavy low endarticulate attackslight vintage edgeminimal ambiencehigh-output humbucker punchdense, wall-of-sound rhythm
Difficulty
The riff requires intermediate-level rhythm skills, including tight palm muting, fast chord transitions, and maintaining a heavy, consistent attack throughout the section.