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Riff Tone
Praise the Lord (Opium of the Masses)
Dying Fetus
Guitarmetal2000s
Original Gear
GuitarJackson Soloist (likely SL2H or similar, mid-2000s production, as used by John Gallagher in this era)
AmpPeavey 5150/6505 (most likely, as used by Dying Fetus on 'Stop at Nothing' and subsequent albums)
Amp Settings
gain9
bass6
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Notes
Studio recording, 2003. No direct evidence for pedals or alternate amp/guitar models for this specific song/section. Gear inferred from era, genre, and band interviews about their general recording setup for this album.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutinghigh-gain saturationarticulate note separationrazor-sharp high endchunky low endvery dry (no reverb)modern death metal clarityextremely saturated distortion
Difficulty
This riff is considered expert-level due to its relentless speed, technical picking, and complex rhythm patterns, requiring advanced right-hand technique and tight synchronization.
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Create Free AccountGuitarmetal2000s
Original Gear
GuitarJackson Soloist (likely SL2H or similar, mid-2000s production, as used by John Gallagher in this era)
AmpPeavey 5150/6505 (most likely, as used by Dying Fetus on 'Stop at Nothing' and subsequent albums)
Amp Settings
gain9
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2003. No direct evidence for pedals or alternate amp/guitar models for this specific song/section. Gear inferred from era, genre, and band interviews about their general recording setup for this album.
Tone Character(10)
tight and percussivescooped midsaggressive palm mutinghigh-gain saturationarticulate note separationrazor-sharp high endchunky low endvery dry (no reverb)modern death metal clarityextremely saturated distortion
Difficulty
This riff is considered expert-level due to its relentless speed, technical picking, and complex rhythm patterns, requiring advanced right-hand technique and tight synchronization.