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Solo Tone
Princess of the Dawn (Live)
Accept
Guitarmetal1980s
Original Gear
GuitarFramus Flying V (likely 1970s/early 1980s, as used by Wolf Hoffmann live in this era)
AmpMarshall JCM800 2203 (100W head, classic Accept live amp in early/mid 1980s)
Amp Settings
gain7.5
bass5.5
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Notes
Live performance, early/mid 1980s (circa 1981-1985). Settings and effects inferred from era, genre, and live Accept footage. No direct source for exact pedal models or amp knob settings for this specific solo, but gear is well-documented for Accept live in this period.
Tone Character(10)
singing sustainaggressive and bright lead tonetight and percussive attackpunchy midrangearticulate note separationslight amp reverb for spaceharmonic overtonesclassic 1980s metal lead soundcutting presencefast alternate picking clarity
Difficulty
The solo requires fast alternate picking, precise bends, and clear articulation under high-gain conditions, making it challenging for intermediate players.
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Create Free AccountGuitarmetal1980s
Original Gear
GuitarFramus Flying V (likely 1970s/early 1980s, as used by Wolf Hoffmann live in this era)
AmpMarshall JCM800 2203 (100W head, classic Accept live amp in early/mid 1980s)
Amp Settings
gain7.5
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Live performance, early/mid 1980s (circa 1981-1985). Settings and effects inferred from era, genre, and live Accept footage. No direct source for exact pedal models or amp knob settings for this specific solo, but gear is well-documented for Accept live in this period.
Tone Character(10)
singing sustainaggressive and bright lead tonetight and percussive attackpunchy midrangearticulate note separationslight amp reverb for spaceharmonic overtonesclassic 1980s metal lead soundcutting presencefast alternate picking clarity
Difficulty
The solo requires fast alternate picking, precise bends, and clear articulation under high-gain conditions, making it challenging for intermediate players.