Riff Tone
Re-Education (Through Labor)
Rise Against
Original Gear
Amp Settings
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording for 'Appeal to Reason' (2008). Tim McIlrath used a Gibson Les Paul Standard into a Marshall JCM900 for the main distorted riff sections. No explicit mention of pedals used for distortion in the studio; live rig includes some modulation and delay pedals, but no evidence these were used on the original studio riff. Settings estimated based on typical JCM900 punk/hardcore usage and era. No evidence of effects loop or amp-based effects for the riff tone.
Tone Character(10)
Difficulty
Create an account to adapt this tone to your gear
Create Free AccountOriginal Gear
Amp Settings
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording for 'Appeal to Reason' (2008). Tim McIlrath used a Gibson Les Paul Standard into a Marshall JCM900 for the main distorted riff sections. No explicit mention of pedals used for distortion in the studio; live rig includes some modulation and delay pedals, but no evidence these were used on the original studio riff. Settings estimated based on typical JCM900 punk/hardcore usage and era. No evidence of effects loop or amp-based effects for the riff tone.