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Riff Tone

Robot Stop

King Gizzard & The Lizard Wizard

Guitarrock2010s+

Original Gear

GuitarCustom Zac Eccles T-style Thinline (likely Joey Walker) or 1960s Yamaha SG2 (possible Stu Mackenzie, but less likely for riff section)
AmpFender Hot Rod DeVille (studio, 2016 recording era)

Amp Settings

gain6.5
bass6

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Effects & Signal Chain

Notes

Studio recording, 2016 (Nonagon Infinity album). Gear confirmed for this era and song by Premier Guitar rig rundown and interviews. Joey Walker is most likely guitarist for main riff, using custom T-style Thinline into Fender Hot Rod DeVille. No evidence of amp effects loop or additional rack gear.

Tone Character(10)
heavy, saturated fuzzoscillating wah filter sweepsaggressive, biting attackmid-forward, thick soundslightly compressed dynamicslo-fi, gritty texturepercussive, rhythmic chugpsychedelic, swirling overtonesraw, garage-psych edgewah pedal movement audible throughout riff

Difficulty

The riff requires fast, consistent picking, precise wah pedal movement for the signature oscillating effect, and tight rhythm at a high tempo while controlling a saturated fuzz tone.

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