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Solo Tone
Room Full of Mirrors (Live)
The Jimi Hendrix Experience
Guitarrock1960s
Original Gear
GuitarFender Stratocaster (late 1960s, likely Olympic White or Sunburst, maple neck)
AmpMarshall Super Lead 100 (Model 1959, late 1960s Plexi, 100-watt head) with Marshall 4x12 cabinet
Amp Settings
gain6
bass6.5
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Notes
Live performance, circa 1969-1970. Gear confirmed for this era and song by Equipboard and Guitar World. No evidence of alternate guitars or amps for this song/solo. All effects are pedal-based; no amp reverb or built-in effects.
Tone Character(10)
gnarly, saturated fuzzswirling uni-vibe modulationsinging sustainbright, cutting highsfull-bodied midrangedynamic, touch-sensitive responsepsychedelic swirling effectaggressive, expressive lead tonecrunchy attackclassic Hendrix fuzz sound
Difficulty
The solo requires advanced control of fuzz and modulation effects, fast and precise phrasing, and expressive use of wah and vibrato, making it challenging for most players.
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Create Free AccountGuitarrock1960s
Original Gear
GuitarFender Stratocaster (late 1960s, likely Olympic White or Sunburst, maple neck)
AmpMarshall Super Lead 100 (Model 1959, late 1960s Plexi, 100-watt head) with Marshall 4x12 cabinet
Amp Settings
gain6
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Live performance, circa 1969-1970. Gear confirmed for this era and song by Equipboard and Guitar World. No evidence of alternate guitars or amps for this song/solo. All effects are pedal-based; no amp reverb or built-in effects.
Tone Character(10)
gnarly, saturated fuzzswirling uni-vibe modulationsinging sustainbright, cutting highsfull-bodied midrangedynamic, touch-sensitive responsepsychedelic swirling effectaggressive, expressive lead tonecrunchy attackclassic Hendrix fuzz sound
Difficulty
The solo requires advanced control of fuzz and modulation effects, fast and precise phrasing, and expressive use of wah and vibrato, making it challenging for most players.