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Riff Tone
Sakuraga Sakumaeni
Kinoko Teikoku
Guitarother2010s+
Original Gear
GuitarFender Jazzmaster (likely MIJ, as used by A-chan in this era)
AmpRoland JC-120 Jazz Chorus (most commonly associated with Kinoko Teikoku studio tones in this era)
Amp Settings
gain4
bass5.5
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Notes
Studio recording, 2015. No direct evidence for this exact song's session, but all available sources and live photos from this era show A-chan using a Fender Jazzmaster into a Roland JC-120 with minimal pedal use for the main riff sections.
Tone Character(10)
shimmering clean with slight breakupbright and glassy attacklush chorus texturearticulate chord voicingsslight compressionambient spaciousnessclear note separationmodulated clean toneno heavy fuzz or distortionshoegaze-inspired clarity
Difficulty
The riff requires clean, precise picking and chord changes with a modulated clean tone, but does not involve advanced techniques or fast tempo, making it moderately accessible to intermediate players.
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Create Free AccountGuitarother2010s+
Original Gear
GuitarFender Jazzmaster (likely MIJ, as used by A-chan in this era)
AmpRoland JC-120 Jazz Chorus (most commonly associated with Kinoko Teikoku studio tones in this era)
Amp Settings
gain4
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2015. No direct evidence for this exact song's session, but all available sources and live photos from this era show A-chan using a Fender Jazzmaster into a Roland JC-120 with minimal pedal use for the main riff sections.
Tone Character(10)
shimmering clean with slight breakupbright and glassy attacklush chorus texturearticulate chord voicingsslight compressionambient spaciousnessclear note separationmodulated clean toneno heavy fuzz or distortionshoegaze-inspired clarity
Difficulty
The riff requires clean, precise picking and chord changes with a modulated clean tone, but does not involve advanced techniques or fast tempo, making it moderately accessible to intermediate players.