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Solo Tone
Sampai Hati
Spring
Guitarrock1990s
Original Gear
GuitarUnknown (likely Strat-style or Superstrat, typical for Malaysian pop rock of 1990s)
AmpUnknown (likely Marshall or Roland JC-120, model not confirmed)
Amp Settings
gain6
bass6
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Notes
No direct sources confirm the exact guitar or amp used on the studio recording of 'Sampai Hati' by Spring. 1990s Malaysian pop rock recordings often used Strat-style guitars and Marshall or Roland amps. This profile is estimated for the studio solo section, circa early/mid 1990s.
Tone Character(10)
singing sustainsmooth melodic leadslightly compressed attackmoderate gain, not high-gainclear note definitionwarm, rounded highsmedium reverb tailarticulate phrasingno heavy fuzz or scooped midssolo stands out in the mix
Difficulty
The solo requires intermediate technique, including expressive bends, smooth legato, and precise timing to match the delay repeats, but does not involve advanced shredding or complex chord work.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarUnknown (likely Strat-style or Superstrat, typical for Malaysian pop rock of 1990s)
AmpUnknown (likely Marshall or Roland JC-120, model not confirmed)
Amp Settings
gain6
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct sources confirm the exact guitar or amp used on the studio recording of 'Sampai Hati' by Spring. 1990s Malaysian pop rock recordings often used Strat-style guitars and Marshall or Roland amps. This profile is estimated for the studio solo section, circa early/mid 1990s.
Tone Character(10)
singing sustainsmooth melodic leadslightly compressed attackmoderate gain, not high-gainclear note definitionwarm, rounded highsmedium reverb tailarticulate phrasingno heavy fuzz or scooped midssolo stands out in the mix
Difficulty
The solo requires intermediate technique, including expressive bends, smooth legato, and precise timing to match the delay repeats, but does not involve advanced shredding or complex chord work.