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Solo Tone
Satan Prayer
Ghost
Guitarmetal2010s+
Original Gear
GuitarGibson SG Standard (likely 1970s or modern reissue, used by Ghost during 'Opus Eponymous' era)
AmpMarshall JCM800 (most likely, based on Ghost's studio and live rig for 'Opus Eponymous' era; no explicit source for this song/section, but consistent with band/genre/era and all available evidence)
Amp Settings
gain7
bass5.5
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Notes
Studio recording, 2010 ('Opus Eponymous' album). No explicit confirmation for solo section gear, but Ghost's guitarists used Gibson SGs and Marshall amps for this album. No evidence of alternate guitars or amps for the solo. No pedalboard photos or interviews for this specific song/section.
Tone Character(10)
singing sustainsmooth and fluid lead linestight and articulateslightly scooped midsmoderate amp reverb for spacefocused high-gain saturationbridge pickup biteclear melodic phrasingno audible modulation effectsclassic NWOBHM/early metal solo sound
Difficulty
The solo requires intermediate technique, including smooth legato, accurate bends, and expressive vibrato, but does not feature extreme speed or advanced shred techniques.
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Create Free AccountGuitarmetal2010s+
Original Gear
GuitarGibson SG Standard (likely 1970s or modern reissue, used by Ghost during 'Opus Eponymous' era)
AmpMarshall JCM800 (most likely, based on Ghost's studio and live rig for 'Opus Eponymous' era; no explicit source for this song/section, but consistent with band/genre/era and all available evidence)
Amp Settings
gain7
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2010 ('Opus Eponymous' album). No explicit confirmation for solo section gear, but Ghost's guitarists used Gibson SGs and Marshall amps for this album. No evidence of alternate guitars or amps for the solo. No pedalboard photos or interviews for this specific song/section.
Tone Character(10)
singing sustainsmooth and fluid lead linestight and articulateslightly scooped midsmoderate amp reverb for spacefocused high-gain saturationbridge pickup biteclear melodic phrasingno audible modulation effectsclassic NWOBHM/early metal solo sound
Difficulty
The solo requires intermediate technique, including smooth legato, accurate bends, and expressive vibrato, but does not feature extreme speed or advanced shred techniques.