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Solo Tone
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Lynyrd Skynyrd
Guitarrock1970s
Original Gear
GuitarGibson Les Paul Standard (Gary Rossington signature or 1959 reissue, as used by Rossington in studio)
AmpPeavey Mace 100-watt head with Peavey 4x12 cabinet (JBL 120F speakers)
Amp Settings
gain5
bass6.5
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Notes
Studio recording, 1976-1977 era. Gary Rossington used the Peavey Mace for most Skynyrd studio solos in this era. No evidence of live/touring substitutions for this track.
Tone Character(10)
warm and mid-focusedsinging sustaintouch-sensitive dynamicsclassic southern rock cruncharticulate lead linesslightly compressed attackopen and expressivenot overly saturatedclear note separationsmooth top end
Difficulty
The solo requires intermediate technique with hybrid picking, expressive bends, and dynamic control, but does not involve extreme speed or advanced shred techniques.
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Create Free AccountGuitarrock1970s
Original Gear
GuitarGibson Les Paul Standard (Gary Rossington signature or 1959 reissue, as used by Rossington in studio)
AmpPeavey Mace 100-watt head with Peavey 4x12 cabinet (JBL 120F speakers)
Amp Settings
gain5
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1976-1977 era. Gary Rossington used the Peavey Mace for most Skynyrd studio solos in this era. No evidence of live/touring substitutions for this track.
Tone Character(10)
warm and mid-focusedsinging sustaintouch-sensitive dynamicsclassic southern rock cruncharticulate lead linesslightly compressed attackopen and expressivenot overly saturatedclear note separationsmooth top end
Difficulty
The solo requires intermediate technique with hybrid picking, expressive bends, and dynamic control, but does not involve extreme speed or advanced shred techniques.