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Riff Tone

Shadow Moses

Bring Me The Horizon

Guitarmetal2010s+

Original Gear

GuitarEpiphone Lee Malia Signature Les Paul Custom
AmpMarshall JCM800 2203 head into 4x12 cab with Celestion Vintage 30 speakers

Amp Settings

gain8
bass6

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Effects & Signal Chain

Notes

Studio recording for 'Shadow Moses' (2013, Sempiternal album). Lee Malia used his signature Epiphone Les Paul with Bare Knuckle Warpig pickups, into a Marshall JCM800, boosted with a Klon Centaur overdrive. No evidence of additional effects or modulation; tone is direct and aggressive. Settings are estimated based on typical JCM800 metal usage and interview comments about 'not much gain' and 'direct, attacking' tone.

Tone Character(10)
tight and percussivedirect, attackingaggressive palm mutingsaturated but not fuzzyclear note separationhigh-output, modern metalslightly scooped midsarticulate under fast riffingminimal ambienceno excessive compression

Difficulty

The riff requires tight, aggressive palm muting and fast alternate picking at a medium-fast tempo, with precise timing and muting to maintain clarity and articulation.

This tone has been researched 10 times by the community

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