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Riff Tone

shoot 2 kill

Slipknot

Guitarmetal2010s+

Original Gear

GuitarFender Jim Root Jazzmaster
AmpOmega Ampworks Obsidian (KT66 power tubes) into Omega 4x12 FL Standard cabinet (Eminence DV-77 speakers)

Amp Settings

gain9
bass6

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Effects & Signal Chain

Notes

Studio recording for 'The End, So Far' (2022); gear confirmed for album sessions, not live. Jim Root and Mick Thomson both used Omega Ampworks Obsidian amps for rhythm tracks. Root's Jazzmaster with EMG pickups is confirmed for album rhythm work. Mick Thomson likely used his Jackson Soloist with EMG 81/85, but Root's rig is most documented for this era and track.

Tone Character(10)
tight and percussivecrushing low endaggressive palm mutingmodern high-gain saturationfocused attackarticulate note definitionminimal ambiencedense, layered guitarsclear pick attackcompressed, noise-free

Difficulty

The riff requires fast, accurate picking and palm muting at high gain, with tight timing and complex rhythm changes typical of modern Slipknot material.

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