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Solo Tone

Shoot to Thrill

AC/DC

Guitarrock1980s

Original Gear

GuitarGibson SG Standard (early 1970s, likely 1970-1973, cherry red, stock electronics)
AmpMarshall Super Lead 1959 100-watt (Plexi, late 1960s/early 1970s, no master volume, run clean or edge-of-breakup)

Amp Settings

gain0
bass6

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Effects & Signal Chain

Notes

Studio recording, 1980, Back in Black album. Angus Young used his main Gibson SG into a Marshall Super Lead head, typically with no pedals or effects except possibly a Schaffer-Vega Diversity System wireless (used as a preamp/boost). For clean sections, amp volume/gain would be rolled back. No evidence of pedals or additional effects for clean tone in studio. No reverb or delay is audible or documented for clean sections.

Tone Character(10)
bright and articulateclear note separationtouch-sensitive dynamicsslightly edgy when picking hardno audible reverb or delayclassic Marshall clean with a hint of breakuptight and percussive attackopen and uncompressedno pedal colorationcrisp high end

Difficulty

The clean solo section requires intermediate skill due to its tempo, need for precise picking/muting, and dynamic control to maintain clarity and articulation without distortion.

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Shoot to Thrill by AC/DC — Solo Tone Settings | ToneAdapt