Back to CommunityCreate Free Account
Solo Tone
Show Me the Way
Peter Frampton
Guitarrock1970s
Original Gear
Guitar1954 Gibson Les Paul Custom (three-pickup, 'Black Beauty')
AmpMarshall 100-watt Super Lead head (early 1970s, unmodified for studio recording)
Amp Settings
gain5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1975; 'Show Me the Way' solo section on Frampton Comes Alive!; guitar routed through a Heil Talk Box for the solo; amp is a stock Marshall Super Lead, not the later Jose-modded or Suhr clones. No evidence of additional pedals or rack effects on the original studio solo.
Tone Character(10)
swirling and vocal-like (from talk box)singing sustainBritish crunchmidrange-forwardarticulate note definitionwarm and slightly compressedclassic rock solo soundnot overly saturateddynamic and expressivedistinct vocal phrasing
Difficulty
The solo requires intermediate lead technique and expressive phrasing, but the main challenge is integrating the talk box for vocal-like articulation, which demands coordination and timing beyond standard soloing.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1970s
Original Gear
Guitar1954 Gibson Les Paul Custom (three-pickup, 'Black Beauty')
AmpMarshall 100-watt Super Lead head (early 1970s, unmodified for studio recording)
Amp Settings
gain5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1975; 'Show Me the Way' solo section on Frampton Comes Alive!; guitar routed through a Heil Talk Box for the solo; amp is a stock Marshall Super Lead, not the later Jose-modded or Suhr clones. No evidence of additional pedals or rack effects on the original studio solo.
Tone Character(10)
swirling and vocal-like (from talk box)singing sustainBritish crunchmidrange-forwardarticulate note definitionwarm and slightly compressedclassic rock solo soundnot overly saturateddynamic and expressivedistinct vocal phrasing
Difficulty
The solo requires intermediate lead technique and expressive phrasing, but the main challenge is integrating the talk box for vocal-like articulation, which demands coordination and timing beyond standard soloing.