Back to CommunityCreate Free Account
Solo Tone
Siyah Beyaz
Pilli Bebek
Guitarrock2000s
Original Gear
GuitarUnknown (likely Fender Stratocaster or similar S-style electric, based on genre/era and Turkish rock conventions)
AmpUnknown (likely Marshall or similar British-style tube amp, based on genre/era and Turkish rock conventions)
Amp Settings
gain5.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct evidence for exact guitar or amp model in available sources. No studio documentation found. Song is from the album 'Olsun', released in 2005. Settings and gear are estimated based on genre, era, and typical Turkish rock production. Studio recording context assumed.
Tone Character(10)
singing sustainsmooth and melodicmoderate gain with clarityslightly compressedwarm midrangearticulate note separationsubtle ambiencenot overly saturatedtouch-sensitivepresent but not harsh treble
Difficulty
The solo requires intermediate technique, expressive bending, and control of phrasing to match the delay repeats and sustain, but does not involve advanced shredding or complex timing.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock2000s
Original Gear
GuitarUnknown (likely Fender Stratocaster or similar S-style electric, based on genre/era and Turkish rock conventions)
AmpUnknown (likely Marshall or similar British-style tube amp, based on genre/era and Turkish rock conventions)
Amp Settings
gain5.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct evidence for exact guitar or amp model in available sources. No studio documentation found. Song is from the album 'Olsun', released in 2005. Settings and gear are estimated based on genre, era, and typical Turkish rock production. Studio recording context assumed.
Tone Character(10)
singing sustainsmooth and melodicmoderate gain with clarityslightly compressedwarm midrangearticulate note separationsubtle ambiencenot overly saturatedtouch-sensitivepresent but not harsh treble
Difficulty
The solo requires intermediate technique, expressive bending, and control of phrasing to match the delay repeats and sustain, but does not involve advanced shredding or complex timing.