Back to CommunityCreate Free Account
Riff Tone
Smoke Two Joints
Sublime
Guitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1970s/80s MIJ or MIM, as used by Bradley Nowell in early Sublime recordings)
AmpFender Twin Reverb (blackface or silverface, era-appropriate for 1992 studio recording)
Amp Settings
gain3.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1992, 40oz. to Freedom album. No direct evidence of pedals or alternate guitars for the riff section. All gear inferred from era, genre, and known Sublime studio setups.
Tone Character(10)
clean and brightpercussive upstroke attackarticulate single-coil claritytight and choppy rhythmwarm neck pickup fullnessspring reverb ambiencedynamic response to pickingminimal breakupno audible compressionstudio clarity
Difficulty
The riff is rhythmically straightforward but requires precise reggae upstroke technique, clean muting, and dynamic control for the percussive, choppy feel.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1990s
Original Gear
GuitarFender Stratocaster (likely 1970s/80s MIJ or MIM, as used by Bradley Nowell in early Sublime recordings)
AmpFender Twin Reverb (blackface or silverface, era-appropriate for 1992 studio recording)
Amp Settings
gain3.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1992, 40oz. to Freedom album. No direct evidence of pedals or alternate guitars for the riff section. All gear inferred from era, genre, and known Sublime studio setups.
Tone Character(10)
clean and brightpercussive upstroke attackarticulate single-coil claritytight and choppy rhythmwarm neck pickup fullnessspring reverb ambiencedynamic response to pickingminimal breakupno audible compressionstudio clarity
Difficulty
The riff is rhythmically straightforward but requires precise reggae upstroke technique, clean muting, and dynamic control for the percussive, choppy feel.