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Riff Tone
Some Girls Are Bigger Than Others
The Smiths
Guitarrock1980s
Original Gear
GuitarRickenbacker 330 6-string
AmpFender Twin Reverb (likely Silverface, mid-1980s studio recording)
Amp Settings
gain0
bass5
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Notes
Studio recording, 1986. Johnny Marr used his Rickenbacker 330 6-string for the main riff. Fender Twin Reverb amp is strongly indicated by era, genre, and Marr's studio choices. No explicit evidence of other guitars or amps for this section.
Tone Character(10)
shimmering cleanbright and articulatechiming, bell-like attacklush, airy top endclear note separationslight compression from ampsubtle reverb ambiencejangly, open chordsdynamic response to pickingno audible overdrive
Difficulty
The riff requires advanced chord shapes, precise right-hand picking, and clean articulation to achieve the signature jangly, chiming sound. The interplay of open strings and fretted notes, along with the rhythmic complexity, makes it challenging for most players.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarRickenbacker 330 6-string
AmpFender Twin Reverb (likely Silverface, mid-1980s studio recording)
Amp Settings
gain0
bass5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1986. Johnny Marr used his Rickenbacker 330 6-string for the main riff. Fender Twin Reverb amp is strongly indicated by era, genre, and Marr's studio choices. No explicit evidence of other guitars or amps for this section.
Tone Character(10)
shimmering cleanbright and articulatechiming, bell-like attacklush, airy top endclear note separationslight compression from ampsubtle reverb ambiencejangly, open chordsdynamic response to pickingno audible overdrive
Difficulty
The riff requires advanced chord shapes, precise right-hand picking, and clean articulation to achieve the signature jangly, chiming sound. The interplay of open strings and fretted notes, along with the rhythmic complexity, makes it challenging for most players.