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Solo Tone
Space Oddity
David Matthews
Guitarother1970s
Original Gear
GuitarGibson ES-175 (estimated, based on David Matthews' session work and jazz/funk genre in 1970s, no direct source for this session)
AmpFender Twin Reverb (estimated, typical for jazz/funk studio sessions in 1970s, no direct source for this session)
Amp Settings
gain3.5
bass6
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Notes
Studio recording, 1977. No direct evidence for exact guitar/amp, but ES-175 and Fender Twin Reverb are consistent with David Matthews' era/session work and the tone on the solo. No evidence of live performance rig for this song.
Tone Character(10)
spacey and ambientwarm and smoothrounded attackclean and articulatelush reverb tailsustained single notesno audible distortionslightly scooped midsstudio polishjazzy phrasing
Difficulty
The solo requires clean, articulate phrasing and control of sustain and dynamics, but does not involve advanced technical techniques or high speed.
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Create Free AccountGuitarother1970s
Original Gear
GuitarGibson ES-175 (estimated, based on David Matthews' session work and jazz/funk genre in 1970s, no direct source for this session)
AmpFender Twin Reverb (estimated, typical for jazz/funk studio sessions in 1970s, no direct source for this session)
Amp Settings
gain3.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1977. No direct evidence for exact guitar/amp, but ES-175 and Fender Twin Reverb are consistent with David Matthews' era/session work and the tone on the solo. No evidence of live performance rig for this song.
Tone Character(10)
spacey and ambientwarm and smoothrounded attackclean and articulatelush reverb tailsustained single notesno audible distortionslightly scooped midsstudio polishjazzy phrasing
Difficulty
The solo requires clean, articulate phrasing and control of sustain and dynamics, but does not involve advanced technical techniques or high speed.