Back to CommunityCreate Free Account
Riff Tone
Stand Out
Tevin Campbell
Guitarother1990s
Original Gear
GuitarUnknown (likely session-grade Strat-style or Superstrat electric, typical for 1990s R&B/funk studio work)
AmpUnknown (likely Fender Twin Reverb or Roland JC-120, both common for 1990s R&B studio sessions)
Amp Settings
gain0
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct sources specify the exact guitar or amp used on the studio recording of 'Stand Out' riff. No evidence of live performance gear. All inferences are based on genre, era, and typical session practices for 1990s R&B/funk. Year: 1995 studio recording.
Tone Character(10)
bright and glassyclean and snappytight, percussive attackarticulate and funkyslight chorus shimmerstudio-polished claritydynamic and responsiveminimal breakupslight reverb for spaceno audible overdrive
Difficulty
The riff requires tight, syncopated funk rhythm playing with clean chord voicings and precise muting, but does not involve advanced lead techniques or fast runs.
Create an account to adapt this tone to your gear
Create Free AccountGuitarother1990s
Original Gear
GuitarUnknown (likely session-grade Strat-style or Superstrat electric, typical for 1990s R&B/funk studio work)
AmpUnknown (likely Fender Twin Reverb or Roland JC-120, both common for 1990s R&B studio sessions)
Amp Settings
gain0
bass5.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
No direct sources specify the exact guitar or amp used on the studio recording of 'Stand Out' riff. No evidence of live performance gear. All inferences are based on genre, era, and typical session practices for 1990s R&B/funk. Year: 1995 studio recording.
Tone Character(10)
bright and glassyclean and snappytight, percussive attackarticulate and funkyslight chorus shimmerstudio-polished claritydynamic and responsiveminimal breakupslight reverb for spaceno audible overdrive
Difficulty
The riff requires tight, syncopated funk rhythm playing with clean chord voicings and precise muting, but does not involve advanced lead techniques or fast runs.