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Solo Tone
Still Got the Blues
Gary Moore
Guitarblues1990s
Original Gear
Guitar1959 Gibson Les Paul Standard
Amp1989 prototype Marshall Model 2245 JTM45 reissue head with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers)
Amp Settings
gain0
bass5
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Notes
Studio recording, 1989/1990. Clean tone sections used the neck pickup with volume rolled back. Subtle chorus effect likely from Roland SDD-320 Dimension D. No overdrive/distortion pedal engaged for clean sections.
Tone Character(10)
warm and smoothclean and lushsubtle stereo spreadno perceivable pitch modulationrounded highsfull-bodied neck pickup soundtouch-sensitive dynamicsslightly compressed feel (studio)rich low-midsclear note separation
Difficulty
While technically not demanding in terms of speed or complex techniques, the clean sections require excellent control of dynamics, phrasing, and expressive vibrato to capture the song's emotive feel.
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Create Free AccountGuitarblues1990s
Original Gear
Guitar1959 Gibson Les Paul Standard
Amp1989 prototype Marshall Model 2245 JTM45 reissue head with Marshall 1960B 4x12 cabinet (Electro-Voice EVM12L speakers)
Amp Settings
gain0
bass5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1989/1990. Clean tone sections used the neck pickup with volume rolled back. Subtle chorus effect likely from Roland SDD-320 Dimension D. No overdrive/distortion pedal engaged for clean sections.
Tone Character(10)
warm and smoothclean and lushsubtle stereo spreadno perceivable pitch modulationrounded highsfull-bodied neck pickup soundtouch-sensitive dynamicsslightly compressed feel (studio)rich low-midsclear note separation
Difficulty
While technically not demanding in terms of speed or complex techniques, the clean sections require excellent control of dynamics, phrasing, and expressive vibrato to capture the song's emotive feel.