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Riff Tone
Still Got the Blues (Full Version)
Gary Moore
Guitarblues1990s
Original Gear
Guitar1959 Gibson Les Paul Standard
Amp1989 prototype Marshall Model 2245 JTM45 reissue head with Marshall 1960B 4x12 cabinet (EVM12L speakers)
Amp Settings
gain6.5
bass6
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Notes
Studio recording, 1990. Main riff section uses neck pickup. Amp settings and pedal use are based on studio sources and interviews. Not live/touring rig.
Tone Character(10)
warm and singing neck pickup tonemoderate gain with strong midsrolled-off treble for classic blues sustainrich and full clean tonesubtle chorus effectfat, sustaining tonesexpressive dynamicsnatural sustaintouch-sensitiveclassic Fifties Les Paul/Marshall JTM rig
Difficulty
The riff requires intermediate-level technique due to expressive bends, vibrato, and dynamic control, but does not involve advanced speed or complex chord voicings.
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Create Free AccountGuitarblues1990s
Original Gear
Guitar1959 Gibson Les Paul Standard
Amp1989 prototype Marshall Model 2245 JTM45 reissue head with Marshall 1960B 4x12 cabinet (EVM12L speakers)
Amp Settings
gain6.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1990. Main riff section uses neck pickup. Amp settings and pedal use are based on studio sources and interviews. Not live/touring rig.
Tone Character(10)
warm and singing neck pickup tonemoderate gain with strong midsrolled-off treble for classic blues sustainrich and full clean tonesubtle chorus effectfat, sustaining tonesexpressive dynamicsnatural sustaintouch-sensitiveclassic Fifties Les Paul/Marshall JTM rig
Difficulty
The riff requires intermediate-level technique due to expressive bends, vibrato, and dynamic control, but does not involve advanced speed or complex chord voicings.