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Solo Tone

Still Got the Blues (Live)

Gary Moore

Guitarblues1990s

Original Gear

Guitar1959 Gibson Les Paul Standard
AmpMarshall JTM45 (mid-'60s reissue prototype, live version)

Amp Settings

gain6.5
bass7

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Effects & Signal Chain

Notes

Live performance, early 1990s. Gary Moore used his famous '59 Les Paul and a Marshall JTM45 reissue prototype, with The Guv'nor pedal as main distortion. Chorus and delay pedals were used for ambience and sustain in the solo. Settings estimated from era, genre, and multiple sources as no exact live knob values are published.

Tone Character(10)
singing sustainfat and thick neck pickup tonemidrange-forward 'woman tone'touch-sensitive dynamicsfluid legato phrasingpowerful, emotive bendslush, expressive lead soundsmooth, creamy overdriveslight ambient chorus shimmerlong, clear delay repeats

Difficulty

The solo requires advanced bending, vibrato, and legato technique, as well as dynamic control and expressive phrasing at slow tempo. Managing sustain and feedback at high gain adds to the challenge.

This tone has been researched 2 times by the community

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