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Solo Tone
Strange Brew
Cream
Guitarrock1960s
Original Gear
Guitar1964 Gibson SG Standard 'The Fool'
AmpMarshall 100-watt Super Lead head with 4x12 cabinets
Amp Settings
gain7
bass8.5
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Notes
Studio recording, 1967. Used for the solo section of 'Strange Brew' on Cream's 'Disraeli Gears'. Clapton stated he set both amp and guitar controls to full. No evidence of live/tour gear or alternate guitars for this solo. No evidence of effects loop or studio rack effects.
Tone Character(10)
singing sustainthick, creamy lead toneBritish crunchwarm and smoothtouch-sensitivevintage humbucker saturationarticulate single-note linesno heavy fuzzclassic 60s Marshall stack sounddynamic response to picking
Difficulty
The solo requires intermediate lead technique, with expressive bends, vibrato, and dynamic control to achieve the singing sustain and phrasing characteristic of Clapton's style. The tempo and note choices are accessible, but the tone and feel demand control and nuance.
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Create Free AccountGuitarrock1960s
Original Gear
Guitar1964 Gibson SG Standard 'The Fool'
AmpMarshall 100-watt Super Lead head with 4x12 cabinets
Amp Settings
gain7
bass8.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1967. Used for the solo section of 'Strange Brew' on Cream's 'Disraeli Gears'. Clapton stated he set both amp and guitar controls to full. No evidence of live/tour gear or alternate guitars for this solo. No evidence of effects loop or studio rack effects.
Tone Character(10)
singing sustainthick, creamy lead toneBritish crunchwarm and smoothtouch-sensitivevintage humbucker saturationarticulate single-note linesno heavy fuzzclassic 60s Marshall stack sounddynamic response to picking
Difficulty
The solo requires intermediate lead technique, with expressive bends, vibrato, and dynamic control to achieve the singing sustain and phrasing characteristic of Clapton's style. The tempo and note choices are accessible, but the tone and feel demand control and nuance.