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Riff Tone
Street Corner Talking
Savoy Brown
Guitarblues1970s
Original Gear
GuitarGibson Les Paul Goldtop (early 1950s, likely P-90 pickups)
AmpMarshall Plexi (model not explicitly confirmed, but highly likely for era and genre; sources mention overdriven tube amps, and this was Simmonds' main amp in the early 1970s)
Amp Settings
gain5.5
bass6.5
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Notes
Studio recording, 1971. No evidence of live rig or alternate guitars for the riff section. No pedalboard evidence for this song; focus is on amp-driven overdrive. No explicit mention of effects loop or outboard pedals for the riff.
Tone Character(10)
raw and energeticgritty and punchywarm, sustaining soundedge-of-breakup crunchsmooth with bitedynamic and touch-sensitivevintage British blues-rockslightly compressedarticulate pick attackfull-bodied midrange
Difficulty
The riff is moderately challenging due to its syncopation and need for dynamic control, but does not require advanced techniques or high speed.
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Create Free AccountGuitarblues1970s
Original Gear
GuitarGibson Les Paul Goldtop (early 1950s, likely P-90 pickups)
AmpMarshall Plexi (model not explicitly confirmed, but highly likely for era and genre; sources mention overdriven tube amps, and this was Simmonds' main amp in the early 1970s)
Amp Settings
gain5.5
bass6.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1971. No evidence of live rig or alternate guitars for the riff section. No pedalboard evidence for this song; focus is on amp-driven overdrive. No explicit mention of effects loop or outboard pedals for the riff.
Tone Character(10)
raw and energeticgritty and punchywarm, sustaining soundedge-of-breakup crunchsmooth with bitedynamic and touch-sensitivevintage British blues-rockslightly compressedarticulate pick attackfull-bodied midrange
Difficulty
The riff is moderately challenging due to its syncopation and need for dynamic control, but does not require advanced techniques or high speed.