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Distorted Tone
Symphony of Destruction
Megadeth
Bassmetal1990s
Original Gear
BassJackson Concert Bass (David Ellefson signature or similar, early 90s model, likely passive PJ configuration)
AmpAmpeg SVT (classic tube head, likely SVT-II or SVT-CL) with 8x10 cab
Amp Settings
gain6
bass4.5
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Notes
Studio recording, 1992, Countdown to Extinction sessions. David Ellefson on bass. Likely blend of amp-mic and DI, as was standard for major metal productions of the era.
Tone Character(10)
mid-forward grindtight low endaggressive pick attackslightly gritty upper midscontrolled high endclear note definitionpunchy and focusedmetallic edgenot overly scoopedsits above guitars in mix
Difficulty
The bass line is rhythmically straightforward but requires precise, aggressive pick technique and tight timing to lock with the drums and maintain the song's drive.
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Create Free AccountBassmetal1990s
Original Gear
BassJackson Concert Bass (David Ellefson signature or similar, early 90s model, likely passive PJ configuration)
AmpAmpeg SVT (classic tube head, likely SVT-II or SVT-CL) with 8x10 cab
Amp Settings
gain6
bass4.5
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1992, Countdown to Extinction sessions. David Ellefson on bass. Likely blend of amp-mic and DI, as was standard for major metal productions of the era.
Tone Character(10)
mid-forward grindtight low endaggressive pick attackslightly gritty upper midscontrolled high endclear note definitionpunchy and focusedmetallic edgenot overly scoopedsits above guitars in mix
Difficulty
The bass line is rhythmically straightforward but requires precise, aggressive pick technique and tight timing to lock with the drums and maintain the song's drive.