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Solo Tone
Tak Mungkin Berpaling
Slam
Guitarrock1990s
Original Gear
GuitarYamaha Pacifica 112 (likely, based on era and Malaysian pop/rock scene standards)
AmpMarshall JCM900 (likely, based on 1990s Malaysian studio standards for rock/pop ballads)
Amp Settings
gain6
bass6
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Notes
Studio recording, 1996. No direct evidence for exact guitar/amp, but Yamaha Pacifica and Marshall JCM900 were commonly used in Malaysia for this genre/era. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
singing sustainsmooth and melodic leadmoderate gain with clarityslightly scooped midswarm upper midsclear note separationtouch-sensitive dynamicsmelodic phrasing with expressive bendssubtle delay tailstudio polish with controlled reverb
Difficulty
The solo requires intermediate technique, with expressive bends, vibrato, and melodic phrasing. While not technically extreme, it demands good control of sustain and dynamics for a polished, emotive lead.
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Create Free AccountGuitarrock1990s
Original Gear
GuitarYamaha Pacifica 112 (likely, based on era and Malaysian pop/rock scene standards)
AmpMarshall JCM900 (likely, based on 1990s Malaysian studio standards for rock/pop ballads)
Amp Settings
gain6
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1996. No direct evidence for exact guitar/amp, but Yamaha Pacifica and Marshall JCM900 were commonly used in Malaysia for this genre/era. No evidence of alternate guitars or amps for the solo section.
Tone Character(10)
singing sustainsmooth and melodic leadmoderate gain with clarityslightly scooped midswarm upper midsclear note separationtouch-sensitive dynamicsmelodic phrasing with expressive bendssubtle delay tailstudio polish with controlled reverb
Difficulty
The solo requires intermediate technique, with expressive bends, vibrato, and melodic phrasing. While not technically extreme, it demands good control of sustain and dynamics for a polished, emotive lead.