Back to CommunityCreate Free Account
Solo Tone
Taman Rashidah Utama
Wings
Guitarrock1980s
Original Gear
GuitarUnknown (likely Superstrat-style, possibly Fernandes or Ibanez, as used by Joe Wings in late 1980s/early 1990s)
AmpUnknown (likely Marshall JCM800 or similar high-gain British amp, as was common for Malaysian rock/kapak in late 80s/early 90s)
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, circa 1989-1990. No direct evidence of exact gear for this solo; all details inferred from era, genre, and typical Malaysian rock setups. No official rig rundown or session notes found.
Tone Character(10)
singing sustainbright and cuttingfluid legato phrasingpronounced pick attacklong echoing delay tailsslight midrange emphasiscrisp articulationtight low endclassic 80s/90s rock lead soundsmooth gain structure
Difficulty
The solo requires advanced lead technique, including fast legato passages, accurate bends, and control over phrasing to match the prominent delay effect.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1980s
Original Gear
GuitarUnknown (likely Superstrat-style, possibly Fernandes or Ibanez, as used by Joe Wings in late 1980s/early 1990s)
AmpUnknown (likely Marshall JCM800 or similar high-gain British amp, as was common for Malaysian rock/kapak in late 80s/early 90s)
Amp Settings
gain7
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, circa 1989-1990. No direct evidence of exact gear for this solo; all details inferred from era, genre, and typical Malaysian rock setups. No official rig rundown or session notes found.
Tone Character(10)
singing sustainbright and cuttingfluid legato phrasingpronounced pick attacklong echoing delay tailsslight midrange emphasiscrisp articulationtight low endclassic 80s/90s rock lead soundsmooth gain structure
Difficulty
The solo requires advanced lead technique, including fast legato passages, accurate bends, and control over phrasing to match the prominent delay effect.