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Solo Tone
The End
The Doors
Guitarrock1960s
Original Gear
GuitarGibson SG Special (mid-1960s, likely 1966-1967, with Vibrola)
AmpFender Twin Reverb (Blackface, mid-1960s)
Amp Settings
gain3.5
bass6
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Notes
Studio recording, 1966-1967. Robby Krieger confirmed in interviews and Equipboard that the SG and Twin Reverb were used for The Doors' debut album. No evidence of live or alternate gear for this recording.
Tone Character(10)
singing sustainslightly fuzzy lead tonewarm and vocal-liketouch-sensitive dynamicsmild breakupclear note definitionpsychedelic and atmosphericfluid, expressive bendsnot high-gain, but not fully cleanclassic 1960s rock solo timbre
Difficulty
The solo requires intermediate technique due to its expressive bends, dynamic control, and fingerstyle phrasing, but does not demand advanced speed or complex chord work.
Create an account to adapt this tone to your gear
Create Free AccountGuitarrock1960s
Original Gear
GuitarGibson SG Special (mid-1960s, likely 1966-1967, with Vibrola)
AmpFender Twin Reverb (Blackface, mid-1960s)
Amp Settings
gain3.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1966-1967. Robby Krieger confirmed in interviews and Equipboard that the SG and Twin Reverb were used for The Doors' debut album. No evidence of live or alternate gear for this recording.
Tone Character(10)
singing sustainslightly fuzzy lead tonewarm and vocal-liketouch-sensitive dynamicsmild breakupclear note definitionpsychedelic and atmosphericfluid, expressive bendsnot high-gain, but not fully cleanclassic 1960s rock solo timbre
Difficulty
The solo requires intermediate technique due to its expressive bends, dynamic control, and fingerstyle phrasing, but does not demand advanced speed or complex chord work.