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Riff Tone
The Feel Good Drag
Anberlin
Guitarrock2000s
Original Gear
GuitarGibson Les Paul Standard (likely 2000s model, as used by Joseph Milligan in studio)
AmpMarshall JCM800 (most likely, based on genre, era, and typical Anberlin studio rig)
Amp Settings
gain7.5
bass6
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Notes
Studio recording, 2005 (original version of 'The Feel Good Drag'). No direct evidence for alternate guitars or amps for this riff section. No evidence of live rig or alternate takes. Gear inferred from band/era/genre and typical studio practices.
Tone Character(10)
tight and percussiveaggressive and saturatedarticulate high endfocused midrange punchfull-bodied distortioncompressed and moderncrisp attackslight low-end warmthcutting presencedynamic palm-muting
Difficulty
The riff requires precise palm muting, fast alternate picking, and dynamic control to maintain the aggressive, articulate sound characteristic of the recording.
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Create Free AccountGuitarrock2000s
Original Gear
GuitarGibson Les Paul Standard (likely 2000s model, as used by Joseph Milligan in studio)
AmpMarshall JCM800 (most likely, based on genre, era, and typical Anberlin studio rig)
Amp Settings
gain7.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 2005 (original version of 'The Feel Good Drag'). No direct evidence for alternate guitars or amps for this riff section. No evidence of live rig or alternate takes. Gear inferred from band/era/genre and typical studio practices.
Tone Character(10)
tight and percussiveaggressive and saturatedarticulate high endfocused midrange punchfull-bodied distortioncompressed and moderncrisp attackslight low-end warmthcutting presencedynamic palm-muting
Difficulty
The riff requires precise palm muting, fast alternate picking, and dynamic control to maintain the aggressive, articulate sound characteristic of the recording.