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Solo Tone
The Final Cut
Pink Floyd
Guitarrock1980s
Original Gear
GuitarFender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, stock single-coil pickups)
AmpHiwatt DR103 Custom 100 (studio recording, likely with WEM Super Starfinder 200 cabinets)
Amp Settings
gain3.5
bass6
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Notes
Studio recording, 1982-1983. Gilmour's main Black Strat with stock single-coils, not EMGs. Hiwatt DR103 head, likely with WEM cabs. Effects and pedals based on era-correct sources and audible cues. No evidence of live variation for this solo.
Tone Character(10)
singing sustainsmooth and fluid leadcranked mids and treblelush ambient delaymodulation shimmertouch-sensitive dynamicsclear articulationexpressive bendsambient spaciousnessslight edge of breakup
Difficulty
The solo requires expressive bending, smooth vibrato, and careful control of sustain and delay timing, but does not involve extreme speed or advanced technical runs.
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Create Free AccountGuitarrock1980s
Original Gear
GuitarFender Stratocaster (Black Strat, late 1960s/early 1970s, maple neck, stock single-coil pickups)
AmpHiwatt DR103 Custom 100 (studio recording, likely with WEM Super Starfinder 200 cabinets)
Amp Settings
gain3.5
bass6
Create an account to see all tone details
Create Free AccountEffects & Signal Chain
Notes
Studio recording, 1982-1983. Gilmour's main Black Strat with stock single-coils, not EMGs. Hiwatt DR103 head, likely with WEM cabs. Effects and pedals based on era-correct sources and audible cues. No evidence of live variation for this solo.
Tone Character(10)
singing sustainsmooth and fluid leadcranked mids and treblelush ambient delaymodulation shimmertouch-sensitive dynamicsclear articulationexpressive bendsambient spaciousnessslight edge of breakup
Difficulty
The solo requires expressive bending, smooth vibrato, and careful control of sustain and delay timing, but does not involve extreme speed or advanced technical runs.